Screens of the Future is Universal Everything’s ongoing series of visionary prototypes, based on the emerging technologies of flexible displays, shape-shifting materials and context-aware functionality.

These moving image artworks highlight humanity’s increasingly integrated relationship with technology, serving as product demos of our near future.

You can see more of their project here

#Future#Universal Everything

Following last Autumn’s collaboration with M/M (Paris) to reinterpret its iconic crocodile logo (an homage to founder René Lacoste, who was dubbed “The Crocodile” because of his tenacity on the tennis court), for the first time in the fashion brand’s history, Lacoste has replaced the famous crocodile with ten endangered species. All of which face imminent threat of extinction.

Working closely with BTEC Paris and the International Union for Conservation of Nature (IUCN) to design the limited edition logos, which are embroidered in the same style as the renowned crocodile, the French fashion brand has correlated the number of available shirts with the number of animals that remain in the wild. Ranging from 30 Vaquita porpoises to 450 Anegada Rock Iguanas. Creating a total of 1,775 shirts, of which the profits will be donated to the species’ conservation.

Unfortunately they all sold out pretty much immediately, but if you’d like to take a look in more detail and read up on the cause you can find it on their site here:

And you can support the cause with donations here:





An interesting, if not traditionally aesthetic, approach to type and signage from Kontrapunkt and Nippon Design Center. The Sonic Typeface, designed for Goertek’s R&D Centre in Qinbao, China, varies it’s appearance using Opentype technologies in response to different sound wave frequencies. Meaning that throughout the R&D hub, the typeface and signage will display itself differently depending on the surrounding environment.

I’m not 100% on whether I like the result or not, but I definitely like the concept.


Experiment #2 from my new series of explorations into light and sound. This time looking at the satisfying sound of analogue camera mechanisms from 1920’s–1970’s.

There’s something quite beautiful about getting real mechanical feedback when using a camera, something I miss a little bit more every time I take a picture these days. Ironically though, I shot the footage on my phone…

All of the snippets can be seen on my Instagram here:

#Experiments#Photography#Sound#Tom Walsh Design#Video

An edited down version of a 2004 personal project into light and memory that I’m thinking of revisiting. Watch this space…

#Experiments#Light#Lightbox#Memory#Tom Walsh Design

Tom Walsh Design - Type to design

Tom Walsh Design - Type to design

A nice new project from Barcelona based 36 Days of Type using their curated character sets to allow people to experiment and create their own playful typographic masterpiece.

For those not familiar with 36 Days of Type it’s a project by Nina Sans and Rafa Goicoechea which challenges designers, illustrators or anyone with a love of type and creativity, to design a different character every day for 36 days (thereby creating a full alphabet). The best of these are chosen and posted across their Instagram and Twitter accounts. With 99,999 submissions, filtered down to 5,380 ‘curated images’, they’re now sitting on a huge bank of lovingly created content, and what better way to say thank you than with

So, for those of you who aren’t quite ready to commit to 36 Days of Type, you can head over to instead. Where you type in your chosen text, then click through each character until you’ve created your own masterpiece. As they say “Type it, design it, enjoy it.”

Have a play at here
Or take a look at 36 Days of Type here

#36 Days of Type#Instagram#Typography

Humanae - Tom Walsh Design

Humanæ is a permanent“work in progress” by Brazilian photographer Angélica Dass, cataloguing skin tones to Pantones. The ‘models’ used are all volunteers, with no specific requests for any nationality, age, race or gender, adding to the variety and unpredictability of the project as it progress’. As Angélica puts it it’s:

“open in all senses and it will include all those who want to be part of this colossal global mosaic. The only limit would be reached by completing all of the world’s population.”

Although it may seem a bit dystopian to catalogue each specific skin shade with a number, visually I think its pretty powerful. I’d also say it serves more to unite than to divide by creating an abstractly beautiful platform, especially when viewed en mass.

You can see more of Angélica’s projects on her site here


Geometry Club - Tom Walsh Design

Launched in 2014 Geometry Club is a simple premise, with stunning results. There are two rules:

1) Your apex needs to be aligned centrally on both the X and Y axis
2) Edges should fall off the image at the same point, symmetrically

With over 50 approved contributors in 20 countries anyone can submit a photo to be featured, but it seems only those meeting the exacting criteria will be featured. The outcome is a mesmerisingly beautiful geometric feed of architectural precision.

Take a look at the Instagram feed here, and submit your entries via the site here

#Architecture#Instagram#Photography#Social Media

An amazing book/sculpture piece from American visual artist Tauba Auerbach. Created in collaboration with New York-based independent bookstore Printed Matter, its made up of six die cut paper ‘pop-up book’ style sculptures, creating a truly interactive experience for the ‘reader’.

Video shot by director Sam Fleischner.

See more of Tauba Auerbach’s projects here

#Nowness#print#Sam Fleischner#Tauba Auerbach

If you’re not already aware of The Noun Project, you should be. It’s one of those sites you think should have always existed, and wonder why it took so long to arrive. Launched in 2010 by husband-and-wife team of Edward Boatman and Sofya Polyakov, along with designer Scott Thomas, the site allows members to upload icons for others to download. They describe it as –

Creating, Sharing and Celebrating the World’s Visual Language

Its a simple concept, but one with multiple uses. From my own experience I’ve been uploading icons on and off for the last two–three years (and being paid monthly for downloads), but from digging a little deeper into their blog there’s a whole other aspect to it. The ‘Nouns’ on their site have also been used for education and signage systems, like their ‘Iconathons’ where they aim to “add to the public domain a set of graphic symbols that can be used to easily communicate concepts frequently needed in civic design.

If you fancy having a look around, or even uploading/downloading some icons, you can take a look at

Or if you’d like to take a look at my icon collection you can see them on my page at

#Iconography#The Noun Project#Tom Walsh Design